Perfect Gallows: A Crime Novel, by Peter Dickinson
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Perfect Gallows: A Crime Novel, by Peter Dickinson
Ebook PDF Online Perfect Gallows: A Crime Novel, by Peter Dickinson
The twisted circumstances surrounding an unspeakable crime, an old man’s fortune, and a production of Shakespeare’s The Tempest come to light four decades on in this masterful tale of greed, deception, and murder by CWA Gold Dagger winner Peter Dickinson Behind his practiced facade of cheerful sophistication, the renowned actor Adrian Waring is a haunted man. The ghost that torments him is from an earlier era, when a world war raged and Adrian was still Andrew, the guest and possible heir of his rich uncle, Arnold Wragge. Wragge had returned from the diamond mines of South Africa with a fortune and a loyal servant named Samuel Mkele, and when his own son vanished, presumably in the smoke of combat, the old man looked to his poor relation as a potential replacement. Andrew’s true interests lay elsewhere, however, in applause and the attentions of eager young ladies, both of which he realized he could have by starring in his cousin’s amateur production of The Tempest. But young Andrew’s fledgling theatrics would prove merely to be the opening act of a horrific human tragedy, forcing him to keep a terrible truth locked inside himself—even four decades after a body was discovered hanging from a perfect dovecote gallows . . . A master practitioner of the literary art of mystery and murder, author Peter Dickinson stands tall alongside P. D. James, Ruth Rendell, Reginald Hill, and other luminaries of contemporary British crime fiction. A brilliant innovator unafraid to tamper with the rules of genre, he is at the very top of his game with this gripping, twisting, and altogether remarkable psychological thriller.
Perfect Gallows: A Crime Novel, by Peter Dickinson- Amazon Sales Rank: #879580 in eBooks
- Published on: 2015-05-05
- Released on: 2015-05-05
- Format: Kindle eBook
Review “An astonishing novel . . . Stunning artistry . . . Subtle magic.” —The Philadelphia Inquirer “Engrossing . . . Dickinson is one of the most versatile and inventive writers of mysteries.” —Los Angeles Times “From the marvelous first chapter of Perfect Gallows . . . we know we are once again in the safe hands of a master.” —P. D. James “Dickinson’s touch is so masterly here that he makes other fine domestic mysteries seem quite amateurish.” —Kirkus Reviews “An adroit and suspenseful tale.” —The New York Times Book Review “The whodunits of British novelist Peter Dickinson are exceptional.” —Newsweek
About the Author Peter Dickinson was born in Africa but raised and educated in England. From 1952 to 1969 he was on the editorial staff of Punch, and since then earned his living writing fiction of various kinds for children and adults. His books have been published in several languages throughout the world. The author of twenty-one crime and mystery novels for adults, Dickinson was the first to win the Gold Dagger Award of the Crime Writers’ Association for two books running: The Glass-Sided Ants Nest (1968) and The Old English Peepshow (1969). Dickinson was shortlisted nine times for the prestigious Carnegie Medal for children’s literature and was the first author to win it twice. Dickinson served as chairman of the Society of Authors and was a fellow of the Royal Society of Literature. He was made an Officer of the Order of the British Empire in 2009 for services to literature. Peter Dickinson died on December 16, 2015, at the age of eighty-eight.
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16 of 16 people found the following review helpful. Might Be Dickinson's Best By Kevin Killian I wonder if the vogue for Peter Dickinson's crime novels is over, for people aren't talking about him the way they once used to. He's pretty much a back number now, isn't he? Of course he must be quite old by now, but his children's books continue to sell well. PERFECT GALLOWS, written in his prime (1988) continues to stun with its sheer power and its Henry Jamesian returns to a distant past, so that the narrative swings back and forth between today and a long-ago near forgotten wartime, when the famous actor and playwright, Adrian Waring, arrives at a guided house tour showing off a fabulous English country house now given to the National Trust. Flashbacks show us Andrew, Adrian's adolescent self, as he arrives at the domain of ancient old Sir Arnold Wragge, a rough son of a bitch who made his fortune in the diamond fields of South Africa and brought his valet, a strapping, kindly black man called Samuel, back to England to dress him and pour alcohol down his throat.Otherwise all Sir Arnold does is lord it over his two middle-aged daughters and moan about a son who disappeared in the previous war ages ago. He's an astonishing character, and Dickinson outdoes himself in pouring on the gluttony, the sheer desperation of a man once vital now facing death in the eye with a swagger. The Blitz has brought little Andrew to the country, for the Wragges are distant relations and the two sisters are kindly. He has escaped from a bitterly poor childhood on the docks but what they don't understand is, he loved it there. But what he really loves is to act, and one of the two sisters plans a production of THE TEMPEST in the ruined folly which will star Andrew--and the black servant, Samuel, will be Caliban. A local "land girl" is roped in to be Miranda, and Andrew soon realizes if he plays the part of a feeling boy, he will be able to seduce her. Pigeons coo in a tall tower overhead, which becomes the young lover's rendez-vous.Sir Arnold realizes that in young Andrew he has found a kinsman with more balls, young as he is, than any other candidate. There's a spiritual bond between them too--they are both as soulless as animals. PERFECT GALLOWS is a cat and mouse game featuring two of the most vicious, callous protagonists you have ever read about in a novel, and yet we come to care for them both, difficult as it seems. Peter Dickinson, with his powerful intellect and his marvelous gift for scene-making, shines a steady light into wartime values; showing that while England fought for its life, not all the action was in the air or on the sea. It's chilling and exemplary at once, and might be Dickinson's best.
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